Language: Hindi
Genre: Thriller
Synopsis: Porn star Izna uses her jism to take revenge on cop-turned-criminal Kabir - but can Izna trust intelligence officer Ayaan?
Staring: Sunny Leone, Randeep Hooda, Arunoday Singh, Arif Zakaria
Director : Pooja Bhatt
Music Director : Arko Pravo Mukherjee, Mithoon, Rushk, Abdul Baasith Saeed
Duration : 2 hrs & 10 mins
Director : Pooja Bhatt
Music Director : Arko Pravo Mukherjee, Mithoon, Rushk, Abdul Baasith Saeed
Duration : 2 hrs & 10 mins
Nine years after "Jism" gave us a new
kind of heroine in Bipasha Basu who emerged with erotic insouciance out
of the water and headed straight for the hip region, "Jism 2" gives us a strangely inhibited porn-star heroine.
For those expecting a sex romp with the queen of adult content, Jism 2
is a bit of a damper. There are three well-oiled bodies, two male and
one female, caught in the throes of an anguished do-or-die passion that
can only burn itself out. But sex is really not the solution for these
wounded characters.
Director Pooja Bhatt
aims to take her characters beyond their bodies. These are seriously
flawed people not afraid to scream out their outrage when life deals
them a particularly unfair blow.
But
then, there we have it. Who said life was only about fair deals and
perfect bodies? The outer world of Pooja's people is a Sri Lankan
paradise lit up with toasted beaches and enticing holiday resorts where
time stops still. But secreted in this idyllic setting are deep wounds
of anger, resentment and protest, all accumulated from years of
unexpressed hurt.
Izna
announces at the outset she is a porn star, not unlike the actress who
plays her. She wears the perfect clothes, travels business class and
sleeps only with the poshest men. She is now on to her riskiest client,
a high-end
terrorist Kabir, played with an enigmatic wackiness by Randeep
Hooda,whom the Indian government, represented strangely by only two
officers Arunodoy Singh and his senior Arif Zakaria, wants dead or
alive.
As luck would have it, Izna was
once in love with Kabir. Now she must pretend to be in love with him
again. Perhaps because Ms Leone is new to dramatic acting, we never
quite understand how Izna feels about rekindling old passions with the
man who once loved her and then left her.
Is
she still in love with him while pretending to be seducing him? Does
she take up the dangerous job in the subconscious hope of teaming up
with him for life? And when Kabir finally tells her a deep damning
secret about the people she's working for she reacts so foolishly that
we can only say working with the body numbs the mind.
Just
how much the confusion and inner chaos projected by Izna is actually
Sunny Leone's is hard to tell. But like Sonam Kapoor in Sanjay Leela
Bhansali's "Saawariya", we often feel the character's confusions to be
suspiciously close to the actress' own inability to grasp the
complexities of her character.
On the
plus side, Ms Leone often looks surprisingly vulnerable and wounded on
camera. She has a terrific pair of legs which she generally keeps
crossed. The bust is expressive too, yes. But she manages to keep us
interested in more than her physical assets.
Arunoday Singh as the man who leads Leone into the lion's den (so to speak) plays a role akin to Abhishek Bachchan's in "Dhoom 2". But a lot more angst-ridden. He's a man who falls in love with the honeytrap. Singh is not fully able to express the character's emotional turmoil. He is far more in control doing action scenes.
Finally
the film belongs to Randeep Hooda. As an assassin on the brink who
recites Ghalib in a voice that poets would envy, plays the cello and
allows the woman he loves to lead him to destruction, Hooda brings to
his part a lacerated hurt and a resonant retributive glory.
This is the actor's second triumph in a Mahesh Bhatt script in a row after "Jannat 2".
He plays the two self-destructive characters on different scales, but
equally effectively.If only Hooda had taken off all those religious
rings in his finger. They don't go with his character.
- The passion-play is underpinned by a whole lot of evocative background songs and on-screen poetic utterances that remind us of the close relationship between violence and art. What segregates the outcast from the messiah is the way the talent of self-expression is channelised.
Hooda's Kabir is genius gone the wrong way.
More dreamy than steamy, "Jism 2"
takes us far beyond the body experience into three tortured souls
looking for sensual salvation. Pooja Bhatt delivers a good-looking film
with an arresting inner life. This may not be the right evening out
for those who found last week's "Super Kool" film entertaining. But
those who feel life in the movies is not always about the good times, "Jism 2" makes its point forcibly.
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